Jon Gutwillig - guitar, vocals
Marc Brownstein - bass guitar, vocals
Aron Magner - keyboards, vocals
Allen Aucoin - drums

With the release of The Wind at Four to Fly on SCI Fidelity Records, the Disco Biscuits enter their second decade as one of the most successful acts on the jam-band circuit.
 
In the years since the band sprang out of the University of Pennsylvania party scene in the mid-90s, the Disco Biscuits have brought together the worlds of jam bands and electronic music with its "trance-fusion" sound that mixes the free-form improvisations of jazz with the hypnotic rhythms which provided the soundtrack for rave culture.
 
In the process, the band has garnered critical acclaim and a loyal fanbase.
 
The title of the double-CD live set is taken from "Morph Dusseldorf," the Biscuits‚ classic that closes the first disc with 12 minutes-plus of psychedelic weirdness. "It's a colorful lyric from that song that illustrates the kinds of changes that are the theme of the album," Gutwillig says. "Although it‚s sort of a nonsensical line, we felt it suited the album."  The 11-track set manages to span the band's career, although the bulk of the material has never been officially released.
 
Don‚t think for a second that The Wind at Four to Fly is the quintessential Disco Biscuits performance or their swan song. "A guy like Peter Frampton can make one seminal live album, because he pretty much plays the same set every night," Gutwillig says. "But our stuff is so different from night to night. We get bored doing the same thing so we always do things with different keys and different rhythms."
 
The Biscuits are re-energized thanks to the addition of drummer Allen Aucoin, who in true Disco Biscuits fashion landed the gig after a live "drum-off" gig in November 2005 in Atlantic City.  
 
With The Wind at Four to Fly the future of the Disco Biscuits is still being written.  Don't miss it.